
Highlights and Shadows Seven | ©2013 David Allio
This is the seventh in a series of fourteen still life photographs presenting Highlights and Shadows on a textured hallway wall. Which is more important to you the reflected light? the texture? or something else?
Camera: Nikon D60 | Lens: AF VR Nikkor Zoom 55-200mm f/4-5.6G IF-ED | Focal Length: 65mm | Exposure: f/8 – 1/1000th – ISO 400

Highlights and Shadows Six | ©2013 David Allio
This is the sixth in a series of fourteen still life photographs presenting Highlights and Shadows on a hallway wall. Sometimes watching free moving reflected sunlight on a wall for a few moments makes more sense than canned flickering light in a container.
Camera: Nikon D60 | Lens: AF VR Nikkor Zoom 55-200mm f/4-5.6G IF-ED | Focal Length: 68mm | Exposure: f/8 – 1/800th – ISO 400

Highlights and Shadows Five | ©2013 David Allio
This is the fifth in a series of fourteen still life photographs presenting Highlights and Shadows on a textured hallway wall. How does it relate to the process of looking?
Looking is a process of negotiation. That process involves encoding of an image by the producer and decoding of the image by the consumer. The results are not always consistent as the viewer negotiates the visual product through many factors.
Those lines were prompted by a reading[1] during my first semester of post-graduate studies at the Vermont College of Fine Arts (VCFA). Have you ever thought about the negotiations occurring in your mind while processing a scene?
Sturken, Marita, and Lisa Cartwright. 2001. Practices of looking: an introduction to visual culture. New York: Oxford University Press.
Camera: Nikon D60 | Lens: AF VR Nikkor Zoom 55-200mm f/4-5.6G IF-ED | Focal Length: 145mm | Exposure: f/8 – 1/100th – ISO 400
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